Studio 65 Jewellery

I was born in 1988 and grew up in Barrhead, but I’ve been living in Glasgow’s Southside since my early twenties, and it’s very much home now. I’ve always loved making things, paying attention to the little details, and finding ways to tell stories through objects. That’s what led me into jewellery, and my practice is shaped by a real passion for sustainability and for the hidden histories in the materials I use.

Most of my work is made with recycled sterling silver and where possible, I use stones rescued from broken vintage jewellery and fragments of traditional Glasgow tenement tiles.

I love re-imagining these discarded or overlooked pieces and turning them into contemporary jewellery that carries memory and meaning. For me, it’s not just about creating something to wear, but about starting conversations—about heritage, waste, value, and the beauty we can find in the everyday.

Sustainability is really at the heart of what I do. I try to keep my environmental impact as low as possible by sourcing materials locally and reusing what already exists rather than relying on newly mined resources. Each material comes with its own character and history, and I like to let those marks of the past shine through in the finished pieces. That means no two designs are ever quite the same.

I’m also drawn to colour and light, which play a big part in my process. I often pair silver with bright, reclaimed stones and add engraved details that catch the light like sun rays. Those little touches bring warmth and optimism—something I think we could all use on Glasgow’s grey, rainy days! The city itself is a big inspiration too: the worn steps, weathered tiles, and the shapes of the architecture all find their way into my designs, giving them a mix of modern and timeless qualities.

This exhibition is an exciting milestone for me—it’s my first public showcase. It feels like the beginning of a new chapter in my journey as a maker, and a chance to share my ongoing exploration of sustainability, memory, and transformation. Through each piece, I want to encourage people to take another look at what’s often overlooked, and to discover the beauty in things that might otherwise be forgotten.